Recipe 1.
Dry ingredients:
4 parts - Whiting (Calcium Carbonate or chalk)
2 parts - Plaster of Paris
1 1/2 parts - Portland Cement
1/4 part - Lamp Black
Wet ingredients:
1 Part - Boiled Linseed Oil
1 1/2 to 2 parts - Pure Gum Turpentine
Recipe 2
Dry Ingredients:
1 part - Calcium Carbonate (Whiting/Chalk)
1 part - Plaster of Paris
1/4 part - Lamp Black
Wet Ingredients:
1 part - Boiled Linseed Oil
1 part Mineral Spirits (Paint Thinner)
Mix your dry ingredients in a large container/bucket, then store for future use. (I have found a bucket with a lid, plastic milk jugs, and canning jars to be satisfactory for storage; however the plastic in the jugs tend to deteriorate and become brittle after a few years which could cause a mess.)
When ready to glaze your project, mix up a small amount of the wet ingredients and add it little by little to the pre-mixed dry ingredients. The resulting putty/glazing compound should be fairly stiff -- about peanut butter consistency.
The working life of a batch of putty will be about one day.
I use a 2 to 3 inch length of wood, cut off a paint-stirring stick, to work the putty between the lead came and the glass. Before ending for the day, I do a rough cleaning of the panel-it's easier to do it earlier rather than later. Clean-up can be done with toilet paper or paper towels. Final 'picking' can be done with a small-diameter hardwood dowel either sharpened like a pencil, or flattened into a wedge. Slightly undercut the putty for a crisp, clean lead line.
Acetone on a paper towel makes quick work on hard-to-remove putty on lead came or glass. Consider using chemical-resistant gloves when working with acetone.
Thanks for this nice post ...
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